Hartley Coleridge

New Hartley Coleridge portrait drawing

Remarkable Literary Portraits

In the past ten years, Sim Fine Art has established a reputation for making notable discoveries across a range of periods and styles. The past few years have been a particularly fertile period, with the discovery of important pictures resulting in sales to major international institutions such as the Tate, the Metropolitan Museum of Art in New York, the National Portrait Gallery among scores of other museums and private collections. The rich seam continues, with the recent revelation of a new and previously unknown portrait of Hartley Coleridge. The drawing will be exhibited for the first time in Shepherd Market, together with other notable literary discoveries spanning two centuries.

Andrew Keanie writes 'It is a mystery where John Harden’s drawing of Hartley has been all these years. But it is liberating to have it on view now. It shows neither a lost boy nor a lost man-child, but instead a rather handsome and distinguished young man who, crucially, has also something contemplative and captivating about him. Almost two centuries after the supposedly defining Oriel College disaster, we now have a new visual image of the breathing and blooming man in his prime, at ease in the company of a good friend, and setting himself up as a Poet. It is a likeness that could send readers back to his work re-sensitized.'

The drawing is on show from 6th - 17th February 2018 at Sims Fine Art, The Gallery, 54 Shepherd Market, London W1J 7QX


Alfoxden – no news is good news?

I wish I could give an authoritative update on the fate of Alfoxden (I insist on the old spelling).

You are probably aware that it was auctioned at the end of October. The guide price was £500,000 to £750,000. For this you would be getting the Grade II listed country house, a courtyard of traditional stone barns with potential for conversion, a walled garden, tennis court, modest cottage, deer park and woodland. In all 55 acres.

Someone told me that a prestigious hotel chain dropped out of the bidding at around £800,000. It was finally sold for just over £1.3 million.

But who bought it? No one seems to know, or if they do they're not saying (although a rumour suggests a tennis academy). What are the likely options: A country hotel? Apartments, most probably for workers at the Hinkley nuclear site? A Macdonalds with picturesque rural drive-thru? A Wordsworth and Coleridge study centre? (in our dreams).

When we do find out I will be approaching the new owners to suggest that I put together a couple of interpretation panels, maybe for the hall or a separate room, so that visitors, whoever they are and whatever they are there for,  are aware of the house's important literary heritage.

If anyone does hear any firm news, do please let me know. Terence Sackett, Friends of Coleridge (

Justin Shepherd on John Beer

John Bernard Beer, FBA (31 March 1926 – 10 December 2017); Emeritus Professor of English Literature at the University of Cambridge and Fellow of Peterhouse, Cambridge. Best known as a scholar and critic of Romanticism, especially Coleridge, Blake and Wordsworth, he also had a mastery of the intellectual currents of the Victorian period, and wrote extensively on EM Forster and twentieth-century writers including Sylvia Plath and Doris Lessing.

John served in the RAF from 1946 to 1948. He was a Junior Research Fellow at St John’s College, Cambridge from 1955 to 1958. Between 1958 and 1964 he was Assistant Lecturer and then Lecturer at the University of Manchester, before taking up a post at Peterhouse, where he remained in his Emeritus years.

He was a great supporter of both the Lamb Society and the Friends of Coleridge, of which he was one of our four Scholars. He spoke at the very first Coleridge Summer Conference in 1988 and was a regular speaker at both our autumn study weekends and our summer conferences, where he last spoke only a few years ago on Coleridge’s albatross. He retained a remarkable ability to shape the arc of a complex argument from the lectern well into his eighties and everything he said or wrote about Coleridge bore the stamp of authority of one who had an unrivalled familiarity with the prose texts as well as the poetry, and a mastery of the intellectual context.

He was a kind, gentle and very modest man, somewhat shy in manner. Perhaps his was one of the few minds capacious enough to keep up with the further reaches of Coleridge’s own inquiring mind. He edited ‘Aids to Reflection’ for the Bollingen edition of the Collected Works, and his ‘Coleridge the Visionary’ and ‘Coleridge’s Poetic Intelligence’ remain landmark studies. His 1963 Everyman edition of the poems, regularly revised, was the standard student edition for more than forty years. He also wrote very well for less advanced students and his essays on Coleridge in the volume edited by RL Brett and in the bicentenary collection edited by Beer himself are masterly.

I first met him in the autumn of 1969 at my Cambridge interview. In the morning I had dropped into Heffers, which was still in Petty Cury before its move to Trinity Street, and had seen on display a copy of his new book, ‘Blake’s Visionary Universe’, just published. I was deeply impressed. The John Linnell portrait of ‘William Blake Wearing a Hat’ always hung behind his desk on his wall in his study on the ground floor of the William Stone building in Peterhouse. During my supervisions with him subsequently I began to see in it a distinct resemblance to John himself, for, indeed, there was an air of abstraction which hovered about him. When I got to know him much later, however, I found him generous, friendly and very happy to talk if he thought you were interested. Many young scholars and those who attended the Wordsworth and Coleridge conferences will have their own grateful memories of him. All will acknowledge him as a major scholar of Romantic Studies and perhaps the preeminent Coleridgean of his time.

The Friends of Coleridge offer our sincere condolences to his wife, Gillian, and to his family.

Justin Shepherd, Chair, the Friends of Coleridge

The Friends of Coleridge will print a much fuller tribute to John in the next Bulletin (Summer 2018) which will also be posted on our website.

Professor John Beer

The Friends of Coleridge are very sad to report that Professor John Bernard Beer, M.A., Ph.D., Litt.D., FBA, Coleridge scholar, Emeritus Fellow of Peterhouse, and former Research Fellow of St John’s College, died on 10 December 2017, aged 91 years.

A full obituary will follow.


'The Rime of The Ancient Mariner' production in Bath

'The Rime of the Ancient Mariner'
Instead of the Cross, The Albatross About My Neck Was Hung

14th–16th December, Burdall’s Yard, 7A Anglo Terrace, Avon, Bath BA1 5NH

Produced by OnSet Productions, Associate Producer Matthew Emeny, Directed by John Ward.

A dark and thrilling re-telling of Samuel Taylor Coleridge’s famous Rime of The Ancient Mariner. A timeless epic revamped by a modern ensemble; fusing poetry, music and movement.

14th 7:30pm, 15th 2pm and 7:30pm, 16th 1pm, 4pm and 7:30pm

Box office:
Tickets: Full Price £8, Conc £6, BSU Student, £4
Running time 1 hour

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